What is Vantage Point you might ask? It is the directorial debut of television auteur Pete Travis who brought us-- what else-- television show episodes. Travis clearly honed his skills on the small screen because Vantage Point delivers up compelling, up close and personal drama in figurative spades.
Vantage Point is a taut political thriller that takes major risks. Told through multiple perspectives, the film centers itself around an attempted assassination of the American President, played wonderfully by Tom Skerritt. Where Vantage Point differs from similar cinematic offerings is in it's poignant and topical conclusion when the villains, a group of ambiguous Spanish terrorists, receive their comeuppance at the hands of a wayward little girl in search of her possibly exploded mother. The terrorists, having single handed annihilated hundred of U.S. government secret service officers, try to avoid hitting the girl with their stolen ambulance (an obvious geopolitical allegory) and roll the vehicle multiple times, killing it's evil occupants. The president, however, emerges the twisted wreckage unscathed (possible symbolism?) where he reunites with Denis Leary, a down and out former bodyguard, in tender embrace. The chilling, foreboding final words"Podus is in the hand" send theatre patrons back to their homes with a broadened perspective of the terrible plight of the peoples of the Sudan and some regions of the arctic.
All in all, Vantage Point was a fantastic experience and one that I easily and whole-heartedly recommend to anyone with a love for timely political drama.

President Skerritt delivers a rousing address to a heathen nation